no title (from the album cover series)
The figure of the musician here looks like a self-portrait of the painter, reaching for the paints insteadof the musical instrument. Not without reason. Sasnal himself claimed that his adventure with paintingbegan with music or, more precisely, with redrawing heavy metal album covers in the first year oftechnical school.
no title
Depicting two black lines intersecting at right angles on a white background, the work presented at the Wonderful Line exhibition was the Bez Tytułu [Untitled] edition of a work dating from 2000 can be read in the context given above as a symbol of introducing new coordinates to the interpretation of history and art. Its aesthetics is already characteristic of Sasnal’s mature works. After his Pop […]
untitled, from a series of blanks
untitled, from the cycle of tailor’s samples
Słoneczko
Bitwa pod Racławicami
Czerwone róże
Nail
Poland East vs West
no title
