{"id":17342,"date":"2025-09-09T17:25:58","date_gmt":"2025-09-09T17:25:58","guid":{"rendered":"https:\/\/ufoart.gallery\/?p=17342"},"modified":"2025-09-09T17:26:00","modified_gmt":"2025-09-09T17:26:00","slug":"detonations","status":"publish","type":"post","link":"https:\/\/ufoart.gallery\/pl\/wystawy\/from-the-collection-of-things-not-found\/detonations\/","title":{"rendered":"Detonations"},"content":{"rendered":"<p><em>The image symbolizes the bombing of Ukraine. It is shown as the world wants to accustom us through media, selling war. I used pleasant colors, even though the city is being bombed by drones, missiles. Technology, technique draws a nice frame. Underneath this, it&#8217;s difficult, or: &#8220;there&#8217;s nothing left to gather&#8221;.<\/em><\/p>\n\n\n\n<p>Piotr Jaros<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>The image symbolizes the bombing of Ukraine. It is shown as the world wants to accustom us through media, selling war. I used pleasant colors, even though the city is being bombed by drones, missiles. Technology, technique draws a nice frame. Underneath this, it&#8217;s difficult, or: &#8220;there&#8217;s nothing left to gather&#8221;. Piotr Jaros<\/p>","protected":false},"author":9,"featured_media":17330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[357],"tags":[221],"ppma_author":[358],"acf":{"photo_gallery":{"galeria":[[]],"galeria_events":[[],[]]}},"authors":[{"term_id":358,"user_id":0,"is_guest":1,"slug":"piotr-jaros","display_name":"Piotr Jaros","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","user_url":"","last_name":"","first_name":"","description":"Piotr Jaros (born 1965, My\u015blenice) is a Krakow-based painter, draughtsman, and author of photography, video, and sculptural-installation works. A graduate of the Academy of Fine Arts in Krakow, he evolved from paintings inspired by architectural plans to staged black-and-white photographic tableaux and hybrid installations. His notable series include Umarmen and Middleman, while later projects such as Made in China and Cameras explore irony, observation, and cultural critique."}],"_links":{"self":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts\/17342"}],"collection":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/comments?post=17342"}],"version-history":[{"count":1,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts\/17342\/revisions"}],"predecessor-version":[{"id":17352,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts\/17342\/revisions\/17352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/media\/17330"}],"wp:attachment":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/media?parent=17342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/categories?post=17342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/tags?post=17342"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/ppma_author?post=17342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}