{"id":17343,"date":"2025-09-09T17:28:55","date_gmt":"2025-09-09T17:28:55","guid":{"rendered":"https:\/\/ufoart.gallery\/?p=17343"},"modified":"2025-09-09T17:28:57","modified_gmt":"2025-09-09T17:28:57","slug":"physiological-camera","status":"publish","type":"post","link":"https:\/\/ufoart.gallery\/pl\/wystawy\/from-the-collection-of-things-not-found\/physiological-camera\/","title":{"rendered":"Physiological camera"},"content":{"rendered":"<p><em>Physiological cameras. These are abstract objects from the world of allegory or metaphor. To some extent, they resemble technical equipment used for image recording, which through transmission is conveyed to us in an unlimited, instantaneous way.<\/em><\/p>\n\n\n\n<p><em>The hyper-exhibitionism of contemporary media may be blocking our natural access to uninhibited personal, and therefore unique, perception of reality.<\/em><\/p>\n\n\n\n<p>Piotr Jaros<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Physiological cameras. These are abstract objects from the world of allegory or metaphor. To some extent, they resemble technical equipment used for image recording, which through transmission is conveyed to us in an unlimited, instantaneous way. The hyper-exhibitionism of contemporary media may be blocking our natural access to uninhibited personal, and therefore unique, perception of [&hellip;]<\/p>","protected":false},"author":9,"featured_media":17353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[357],"tags":[221],"ppma_author":[358],"acf":{"photo_gallery":{"galeria":[[]],"galeria_events":[[],[]]}},"authors":[{"term_id":358,"user_id":0,"is_guest":1,"slug":"piotr-jaros","display_name":"Piotr Jaros","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","user_url":"","last_name":"","first_name":"","description":"Piotr Jaros (born 1965, My\u015blenice) is a Krakow-based painter, draughtsman, and author of photography, video, and sculptural-installation works. A graduate of the Academy of Fine Arts in Krakow, he evolved from paintings inspired by architectural plans to staged black-and-white photographic tableaux and hybrid installations. His notable series include Umarmen and Middleman, while later projects such as Made in China and Cameras explore irony, observation, and cultural critique."}],"_links":{"self":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts\/17343"}],"collection":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/comments?post=17343"}],"version-history":[{"count":1,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts\/17343\/revisions"}],"predecessor-version":[{"id":17355,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/posts\/17343\/revisions\/17355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/media\/17353"}],"wp:attachment":[{"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/media?parent=17343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/categories?post=17343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/tags?post=17343"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/ufoart.gallery\/pl\/wp-json\/wp\/v2\/ppma_author?post=17343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}