Depicting two black lines intersecting at right angles on a white background, the work presented at the Wonderful Line exhibition was the Bez Tytułu [Untitled] edition of a work dating from 2000 can be read in the context given above as a symbol of introducing new coordinates to the interpretation of history and art. Its aesthetics is already characteristic of Sasnal’s mature works. After his Pop Art period, the artist reduced the colour palette and vested his paintings with an almost graphic, or as he himself described it, ‘anti-painting’ quality.