Formally, the work is built upon the contrast between a large block of white marble inlaid with natural pearls and the delicate structure of a wedding dress. The sculpture is a kind of totemic fetish, shamelessly protruding from a coquettishly draped garment. The gesture of the artist dressing the sculpture is of particular significance here, as it endows it with a personality. On one hand, it becomes a grotesque apparition — a spectre gazing at the viewer; on the other, a corporeality constrained by clothing, like a doll — an object that belongs to someone.