A sculpture depicting two stools, whose heavy, squat form and the material employed — evocative of Polish postmodern gravestones — is set against the modesty and commonplaceness of a functional piece of furniture. The work makes an ironic reference to post-transformation poverty with its yearning for modernity and opulence. The piece of furniture itself also carries a grotesque constellation of associations: from companion to the monotonous peeling of potatoes, to the instrument that aids the suicide in taking final leave of the sufferings of earthly existence.