(1913 – 2003) belonged to the circle of the post-war – so-called second – Kraków Group. She participated in three Exhibitions of Modern Art (Krakow 1948-49, Warsaw 1957 and 1959). Although she did not escape the influences of Surrealism, she did not explore its mysteries at length. In practice, she was interested in the ‘matter painting’. She remained faithful to it until the end of her work in her biomorphic and thus trail-blazing formal solutions, which went far beyond the achievements of the local scene. The artist engaged in experiments related to enriching the texture of her paintings or the rhythmisation of her forms since 1946.